https://nova.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 Harry Lyons is 'here, there and everywhere': Australia's late 19th century global entertainment broker https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:35551 Wed 28 Aug 2019 08:30:47 AEST ]]> "Mingled yarn": the state of computing in Shakespeare 2.0 https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:19678 Wed 12 Aug 2015 08:56:17 AEST ]]> Word vs image: cognitive hunger in Shakespeare's England (book review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:4476 Wed 11 Apr 2018 14:37:56 AEST ]]> A second opinion on 'Shakespeare and authorship studies in the twenty-first century' https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:23644 Wed 11 Apr 2018 14:32:27 AEST ]]> An information theoretic clustering approach for unveiling authorship affinities in Shakespearean era plays and poems https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:16800 Wed 11 Apr 2018 14:17:27 AEST ]]> Shakespeare and print https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:3716 Wed 11 Apr 2018 12:40:31 AEST ]]> 'Speak, that I may see thee': Shakespeare characters and common words https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:4443 Wed 11 Apr 2018 10:27:08 AEST ]]> Shakespeare's Macbeth: poster-boy for contemporary masculinity? https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:15084 Wed 11 Apr 2018 09:20:25 AEST ]]> The Shakespearean international yearbook: special section, digital Shakespeares https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:18096 Tue 23 Jun 2015 14:58:56 AEST ]]> Editors construct the Renaissance Canon, 1825-1915 https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:35224 Tue 02 Jul 2019 10:48:43 AEST ]]> "Whose Plot Was This?": Shakespearean Convergences in Fletcher's The Wild-Goose Chase https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:41209 Thu 28 Jul 2022 12:15:20 AEST ]]> Authorship, Computers, and Comparative Style https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:49654 Thu 25 May 2023 15:12:33 AEST ]]> A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:44689 Thu 20 Oct 2022 09:57:52 AEDT ]]> To love or not to be: Janek Ledecky’s musical hamlet and Shakespeare negotiations in Korea https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:44690 Thu 20 Oct 2022 09:57:26 AEDT ]]> Performing Shakespeare in Colonial Taiwan: early Japanese settlers and the bounds of theatrical imperialism, 1895‐1916 https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:39486 Thu 20 Oct 2022 09:56:12 AEDT ]]> Language individuation and marker words: Shakespeare and his Maxwell's demon https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:14966 Thu 12 Apr 2018 13:35:44 AEST ]]> Shakespeare's style, Shakespeare's England https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:35299 Thu 11 Jul 2019 11:29:20 AEST ]]> AUTHORIAL ATTRIBUTION AND SHAKESPEAREAN VARIETY: GENRE, FORM AND CHRONOLOGY https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:50190 Thu 06 Jul 2023 13:52:40 AEST ]]> Love's Victory, pastoral, gender, and As You Like It https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:31196 Love's Victory through a comparison with As You Like It. I am not arguing that Shakespeare's play had any direct influence on Wroth, but I want to posit a rewriting of certain pastoral attitudes toward gender roles in Wroth's play, and this rewriting becomes clearer when As You Like It can stand as a touchstone for a number of pastoral themes. Like all examples of the pastoral, Love's Victory is extremely self-conscious about the genre itself and forms part of Wroth's complex engagement with the work of her uncle Philip Sidney, whose pastoral writing is already conscious of a certain belatedness-although it could be argued that pastoral always has a sense of belatedness (see Alphers 1997, ch. 2).]]> Sat 24 Mar 2018 08:44:42 AEDT ]]> Shakespeare's vocabulary: myth and reality https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:31690 Dramatic Works that the playwright "can be complimented only by comparison with himself: all other eulogies are either heterogeneous, (ex. gr. in relation to Milton, Spencer, &c) or flat truisms (ex. gr. to prefer him to Racine, Corneille, or even his own immediate Successors, Fletcher, Massinger &c.)." For Coleridge, to compare Shakespeare to anyone else made little sense. Shakespeare scholarship has continued in full spate since Coleridge's time, and a great deal has changed, but studies which put Shakespeare in the context of his peers as a regular member of a collective playwriting enterprise that together created English Renaissance drama are still the exception rather than the rule. It has been more common to regard him, as Coleridge does, as sui generis. Gary Taylor remarked in 1989 that Shakespeare's fame had made it hard to see his works and the works of others clearly. In gravitational terms, "cultural space-time" is bent by the black-hole-like singularity of his reputation. Taylor cites publications by leading Shakespeare scholars of the day that reflect this sense of Shakespeare's exceptionality: Kenneth Muir's Singularity of Shakespeare and Harry Levin's "Primacy of Shakespeare." More recently, while scholars have viewed the drama of Shakespeare's time much more as a collective enterprise and have questioned the importance of individual authorship in general, the effect has been to downplay all authorial difference and thus to pay less attention to the characteristics of one playwright's output against another's. Perhaps the strongest indicator of a new interest in Shakespeare in relation to his peers is a new wave of strictly attributive studies in the past decade.]]> Sat 24 Mar 2018 08:44:23 AEDT ]]> Introduction https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:8492 Sat 24 Mar 2018 08:37:40 AEDT ]]> Methods https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:8502 Sat 24 Mar 2018 08:36:25 AEDT ]]> The three parts of Henry VI https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:8500 Sat 24 Mar 2018 08:36:25 AEDT ]]> The Quest for "Cardenio": Shakespeare, Fletcher, Cervantes, and the lost play ed. by David Carnegie and Gary Taylor (review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:14117 Sat 24 Mar 2018 08:26:02 AEDT ]]> Shakespeare's foreign worlds: national and transnational identities in the Elizabethan Age [Review] https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:18279 Sat 24 Mar 2018 08:04:32 AEDT ]]> Shakespeare and print https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:4165 Sat 24 Mar 2018 07:21:00 AEDT ]]> 'The teares of ten thousand spectators': Shakespeare's experiments with emotion from Talbot to Richard II https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:23109 Henry VI, Part 1.]]> Mon 09 Apr 2018 09:13:59 AEST ]]> Supplementary materials for Shakespeare and Authorship Attribution https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:35647 Fri 27 Sep 2019 15:50:54 AEST ]]> Sir Frank Benson (painting) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:3041 Fri 23 Mar 2018 17:13:37 AEDT ]]> Julius Caesar (review) https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:54839 Fri 15 Mar 2024 15:18:47 AEDT ]]> “The State of Denmark”: Blasphemy, Freedom of Speech, and Rival Claims to Respect https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:53564 Fri 08 Dec 2023 15:32:21 AEDT ]]> Play corpus details and a list of verb forms https://nova.newcastle.edu.au/vital/access/ /manager/Repository/uon:36116 Fri 07 Feb 2020 16:33:06 AEDT ]]>